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Thea Smartt Henry / Blog Standard Whole Post
Athens Acropolis

Acropolis Inspiration

The Athens Propylaia, Acropolis

As one of the best examples of architecture from the classical period of Ancient Greece, the Acropolis of Athens attracts more than a million visitors each year.

The Acropolis and the Parthenon

Before visiting, I assumed the Acropolis was the name of the impressive columned building that dominates the site (the Parthenon), but the title encapsulates the whole hill.  I didn’t expect the Acropolis gateway to be so massive! Talk about setting the stage…

Image: The Propylaea Gateway, Acropolis, Athens.

The word “Acropolis” comes from two Ancient Greek words that translate to ‘highest point/extremity’ and ‘City’ describing the highest point of a settlement. Used for military defences, there were many acropoleis established in Greece.

The Acropolis Site

While sadly, the legendary 30-foot giant bronze statue of Athena Promachos by Greek sculptor Phidias is long gone, the Athens site still houses structures such as the Parthenon, the Erechtheion, the Propylaea and the Temple of Athena Nike, all commissioned by Pericles and constructed or rebuilt between 447 BC and 406 BC.

The Acropolis is located on a flattish-topped rock that rises 150 m (490 ft) above sea level with a surface area of about 3 hectares (7.4 acres). The Parthenon is 14 meters tall (around an average 3-story UK building). The Parthenon’s exterior Doric columns measure 1.9 metres (6.2 ft) in diameter and are 10.4 metres (34 ft) high.

Up to 16,500 marble parts and 9,000 marble roof tiles were used for the Parthenon’s construction (says Google – I didn’t count), and all marble would have been transported to the site from Mt Penteli, 20km (12,5 miles) away.

The construction was meticulous with each corner column made slightly thicker than all of the others and thinning curves at the top of each individual column, yet, scientists still haven’t figured out how the Greeks managed to create something so perfect, all by hand.

Images: The Parthenon, Athens Acropolis

I once imagined active ancient Greek citadels in uniform stark white, but reading and visiting museums over the years has helped to visualise the rich vibrant colours that would have adorned these structures in days of old.

Walking the site to experience the scale of it and imaging what it would have felt like to visit the busy Acropolis with all of the structures fully intact in their colourful glory is undoubtedly an awe-inspiring experience. I wanted to capture mental and physical pictures of ALL the structures and pretty much everything I looked at in the nearby purpose-built Acropolis museum for creative inspiration.

I was sketching that same evening and wishing I could 3D print ideas from my eyes to my brain and right into my hands – if only.

Top tips for visiting:

  1. Maybe not the hat!
    If you can, cover your head but leave your hat at home. There was a fair bit of hat-holding and hat-chasing going on at the top of the hill, try a securely tied headscarf.
  2. Walk with water.
    It’s not as steep a climb as it looks from the lower levels but when you add heat to the mix, you’ll need to sip repeatedly.
  3. Watch your step.
    This goes without saying, but wear comfortable, flat shoes WITH grip. My trainers still felt slippery on the marble steps so I made sure to tread very carefully.

In addition to these three points, I would recommend you arrive at the Acropolis site quite early (it opens at 8.30am), or late (the site ends admission at 7.30pm for an 8pm close). I didn’t experience any guides hurrying me up the steps as I tried to take a break or snap pictures but this is common; when it’s busy, they want to keep the crowd moving forward.

You can read more about my Acropolis-inspired work in my next post.

Blue and grey earrings

Slow(er) Making..

When I was new to making, I would start with a large quantity of polymer clay and produce several pieces at the same time, enjoying the fact that finished pieces in the same style from the exact same clay mix, were nevertheless unique.

Listen to this post.

Now I work differently in smaller quantities with more time to refine a piece, and more focus on the individual character of a disc, tile or pendant necklace.. if I manage to make two at the same time, it’s a happy coincidence!

To me, that makes each creation a little more precious..  more treasured. I’m happy when a piece sells and also sad to see it go, knowing the next will be different. 

These are some favourites that have gone to new homes but have not been forgotten:

Check out the gallery for more of my favourites. Each piece is individually remarkable.

Thea
Xx

Head of the family ankara fabric, african wax

Tee Batik: Head of the Family

As part of #The100dayproject this year, I turned my fascination with Indonisian batiks and Dutch wax fabrics into a theme for daily inspiration.

100DayProject Sketchbook 2020
Pages from my 100 Day Project Sketchbook, 2020

The geometric shapes in this fabric resemble a person embracing others. The story goes that it stands for the head of family embracing a baby in the arm, with siblings at the feet.

Read more

Choose a link to find out more about the motifs I focused on as part of the project.

speed bird ankara fabric, african wax

Tee Batik: Speed Bird

As part of #The100dayproject this year, I turned my fascination with Indonisian batiks and Dutch wax fabrics into a theme for daily inspiration.

100DayProject Sketchbook 2020
Pages from my 100 Day Project Sketchbook, 2020

One motif with many meanings including change, prosperity and freedom.

In Ghana; ‘..rich today, poor tomorrow’, the transience of riches. In Togo; ‘Air Afrique’. The fabric was used in the uniform of a local airline company. In the Ebo region of Angola it is called Eneke, for ‘… if the hunters learn to shoot without missing, they have learned to fly without perching.’

Read more

Choose a link to find out more about the motifs I focused on as part of the project.

Congres ankara fabric, african wax

Tee Batik: Congres

As part of #The100dayproject this year, I turned my fascination with Indonisian batiks and Dutch wax fabrics into a theme for daily inspiration.

100DayProject Sketchbook 2020
Pages from my 100 Day Project Sketchbook, 2020

The Congres motif is popular in Ivory Coast and worn yearly during the meeting of the Lome Houngni women, in Togo.

Read more

Choose a link to find out more about the motifs I focused on as part of the project.